Features
Purple, Issue 1, Summer 1998
![](https://uncoverarchive.com/media/pages/archive/purple-issue-1-summer-1998/8cd432776d-1622047357/1998_purple_1.png)
Purple, Issue 1, Summer 1998
Elein Fleiss & Olivier Zahm
Purple Institute
21,5 x 15,5 cm
384
Magazine
Softcover
Full Color & Black and White
![](https://uncoverarchive.com/media/pages/features/they-look-of-reading-we-look-from-lacking/ed2c37da80-1622047360/schermafbeelding-2021-04-14-om-18.14.41.png)
They Look Of Reading,
We Look From Lacking
Pensive yet unaware, they are not here, but elsewhere; or so it seems. Disrupted but unoffended, they pause from absorption. — by Colby Vexler & Justin Clement
![](https://uncoverarchive.com/media/pages/features/experimental-archives-new-fashion-histories/f820ae6229-1622047359/schermafbeelding-2021-05-07-om-20.44.07.png)
Experimental archives,
new fashion histories
The concept of the ‘archive’ seems to have captured once more the contemporary moment in fashion. — by Laura Gardner
From top to bottom
A header on a page is worn like a hat on the head. It is there as a part of a uniform that can indicate the wearers job, the books title and the stage of development in the narrative. — by Emma Singleton
![](https://uncoverarchive.com/media/pages/features/her-hand-nuzzled-into-his-pocket/c0e540c850-1622047358/pickpocket_robertbresson.jpg)
Her hand nuzzled
into his pocket
How the novel frees the garment of/from? fashion — by Femke de Vries
Keeping your heart in
a fabric padded pouch
Why do we wear our hearts on our sleeves? Why do we pad out our love as though its bound to hurt? Why does a heartbeat reverberate through the fabric of the skin? — by Emma Singleton